Christina Barandun
In dialogue with each other, discover the unexpected and create the impossible.
This question drives me every day:
How can we be a healthy, sustainable, inclusive cultural landscape that supports everyone in their individual, creative and spiritual needs while making a meaningful contribution to society?
Developing the theatre landscape as a system
From a systemic perspective, I focus on the interconnected relationships within an organisation. In view of the changes in society, I am currently interested in opening my view even further and thinking of the theatre landscape as a whole - in various supra-regional, cultural-political, cross-association, cross-sector and cross-hierarchical networks on the future of theatre.
Background & Education
German/Swiss
Grew up in Japan, Bahrain, Luxembourg, with further stays in Argentina, France
Grew up in Japan, Bahrain, Luxembourg, with further stays in Argentina, France
Training as a ballet teacher with Jadwiga Antony (Royal Academy of Dance), Luxembourg
Trained as a ballet teacher with Jadwiga Antony (Royal Academy of Dance), Luxembourg
Studies: Applied theatre sciences in Gießen (diploma), economics (pre-diploma)
Studies: Applied Theatre Studies in Gießen (diploma), Economics (intermediate diploma)
Diverse professional experience in organisational and commercial areas at film and media companies, including Splendid Medien AG in Cologne
Diverse professional experience in the organisational and commercial field at film and media companies, including Splendid Medien AG in Cologne
Since 2002 until the pandemic Aikido training (among others with Dirk Kropp, Cologne) and 6 years teaching in Bonn. 3rd Dan, BDAL.
Aikido training since 2002 until the pandemic (including with Dirk Kropp, Cologne) and 6 years of teaching in Bonn. 3rd Dan, BDAL.
Further education
Certified Cultural Manager (DAM)
Systemic coaching, certificate from change concepts
Systemic coaching, certificate from change concepts
change concepts